I'm starting to keep
notes. On who I talk to, on their behaviour. Do they stand up to
management? Are they popular? How long have they been here?
There's one woman I've warmed to instantly. She's Bulgarian and her name is Galina.* A tiny mother of two, 36 but looking older; she's got large green eyes, olive skin, and could be Roma. She wears little dangly gold earrings, dark eye makeup and crimson lipstick. She smiles all the time. Genuinely. Some of her teeth are missing and she's vague about her past, but she throws herself into the work, with a swagger almost.
There's one woman I've warmed to instantly. She's Bulgarian and her name is Galina.* A tiny mother of two, 36 but looking older; she's got large green eyes, olive skin, and could be Roma. She wears little dangly gold earrings, dark eye makeup and crimson lipstick. She smiles all the time. Genuinely. Some of her teeth are missing and she's vague about her past, but she throws herself into the work, with a swagger almost.
I like her because she
stops to talk when we pass in the corridor, or if we bump into
eachother on a dash to the pantry for more linen. We swap fatigue
sighs and shaking heads over the empty cupboards, the inevitable
Sunday deluge of D N Ds (Do Not Disturbs) where you push your
trolley from closed door to closed door to closed door....
No linen, a common sight...
Galina has some kind of
rift with Elena, the pretty spiteful supervisor from Lithuania. A
couple of mornings now I've seen Galina shout, in Bulgarian and
broken English, at the icey boss squabbling over baskets of tea gear,
bathroom tat and spare dusters over the counter.
“Hey, HEY”, she's
bellowed to Elena and they've tustled over the tray. “I don't speak
English, why you speak me in English?” Shouts Galina. Elena will
hold back the tray and look at her wearily and disdainfully. Galina
will become animated, eyebrows all over the show, and reach over to
snatch the tray.
“STOP it”, Elena
will say like an icepick, holding it firm.
“Hah? Hah? Yyeeeeah,
Yyeeah”, Galina will say sneeringly, tauntingly, returning the
waves of disgust that could almost be lapping around them right now.
Elena will eventually
give over the tray, but not before raising her hand and pointing hard
on Galina. “The last time, this is the last time”, she will say
in an attempt to rescue her authority but, the girls have all seen
it, and half of us have loved it; Galina's resistance, to the
pettyness, to the humourlessness, of all of this.
I back up Galina by
standing beside her and fixing Elena with a look of, “That's
abusive”, but she barely notices. The term 'face like a slapped
arse' fits her well.
I wish I could speak
Bulgarian.
Over lunch we try and
understand each other, mostly empathising over how much we dislike
Elena, saying her name, wrinkling our faces and giving each other the
thumbs down.
“We need a Union”
She furrows her brow.
I put my hands
together, and clasp my fingers over my knuckles.
“Union?”
It's hard to explain
it.
“Us”, I say, pointing to
me and her and around the sullen canteen. “Us, together”. I make a fist.
She smiles and shrugs
and laughs warmly.
She'd be one to get it
I'm sure. We eat, separately smiling together.
Back in the rooms it's
just non-stop yo-yo-ing in and out. I almost always forget something
and keep clicking in and out, in and out. My knuckles are getting
sore from reaching into my pockets for the card key, reaching deep
into duvets and pillows, the stiff cotton rubbing on my hands, worn by the chemicals and the towel folding and just the constant motion.
A cut I thought had healed on my finger springs a
leak and I'm terrified of getting blood on the perfect white sheets.
I try and continue with toilet paper wrapped around the wound
but it's too risky. I look for a plaster in the pantry, call on the supervisor, and when noone shows up after 10 minutes I eventually
trapse all the way down to the office, 4 floors, and all the while
thinking how this is eating into my allotted cleaning time.
I go through a few
plasters this day, a combination of sweating in the gloves when I
wash up cups and glasses, as well as the dripping sponges and shower
water, and just the constant flurry and contact of my hands.
In the changing room at
home time, I'm one of the last. I've tried to strike up conversations
here but it's not easy. People are partially clothed. Chatting
in your undies and over your steaming sweaty shoes and clammy socks
isn't something I feel that comfortable with. But the four Romanian
room attendants that swing in noisily, pay no mind to my mousey
modesty and shed their grey polyester uniforms to reveal really foxy,
lacy, super-sexy underwear. Like, lingerie catalogue sexy. I
can't help but look. I know I'm blushing. I kind of treat this job as
a workout and wear sports underwear. These women, they're made up
and sassy and laughing amongst themselves. They're barely aware of me
shyly looking over. To me they're a manifestation of resistance to
the drudge; joy and resistance to all the dirt and monotony. Under
the grey there's a riot and they know it.
I want to talk to them
but I know zero Romanian.
I get a text.
“Talk to Jola, the
supervisor, she'll be in in a moment”.
It's from Grzegorz, the
chef....
*All names are changed
for protection
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