Byron Burger and the racism of the hospitality industry
Just a few weeks ago kitchen workers from all over the world working at Byron Burger were rounded up for what they were told was training.
When they arrived, immigration police were waiting for them and around 35 were arrested and deported. The rest are out there somewhere in hiding. Some of the workers at Byron had worked in the company for 4 years. Byron was happy to keep them on as long as they could be used cheaply, and then to discard them without a wince when it was in their interest. The logic behind employing workers without papers is simple: no need to pay them the minimum wage or to adhere to basic work regulations or even human rights.
Workers that resist super exploitation can be threatened with deportation, which could quite possibly mean death if the country they’re fleeing from is unsafe due to war or famine. It’s a relationship akin to slavery. This kind of behaviour is endemic in the hospitality industry. Only a few years ago a similar thing happened in the hotel I work for.
The club had an informal policy of employing workers without papers until all of a sudden the police were informed and they were rounded up whilst at work and sent to detention centres for deportation. Migrant workers are seen as totally disposable. The racism of hospitality is not limited to workers without papers. Legal migrant workers are subject to similar conditions with little protection from the law. They are often totally invisible to the outside world.
My workplace is still made up predominantly of migrant workers– EU migrants are employed directly by the company, non-EU migrants work back of house for the agency. Altogether, about 70% are non-British. They’re from Italy, Spain, Romania, Hungary, Slovakia, Poland, the Caribbean and Africa. These workers are made to work in unsafe conditions; they are subject to oppressive managers, abusive customers and no economic security. Chefs work 12- 15 hour shifts every day. They leave the place at 11.30 at night and come back again for 8am the next day. They suffer from heat stress as their body moves non-stop around stoves and ovens reacting to the demand of guests who expect their food to arrive in no longer than 8 minutes. There is no air conditioning and there is no window for them to breathe. Kitchen staff can work in these conditions for up to 70hours a week with little consistency around breaks and can work up to 15 days without a day off. Chefs that take 5minutes to slip out of the club for a cigarette are followed by a manager who then yells and belittle them in front of colleagues.
Waiters regularly tell me about experiences of racism from entitled customers who exploit their position of power to humiliate and degrade workers. I’ve seen guests die from laughter as they’ve mimicked the accent of their server. A friend recently told me about an instance where she poured someone’s wine for them. The guest was white, she was wealthy – maybe an artist or a director of some kind. She felt the need to point out how disgusted she was by 'African wine drinking customs'.
On a separate day my friend was told by someone else she shouldn’t dye her afro blonde – that 'blonde is for whites'. Totally unabashed harassment. The friend is a woman of colour in her early 20s, she runs food and drinks to tables. She earns the national minimum wage and for this reason she must tolerate these spoilt bigots.
My workplace is not open to the public. It’s a place where celebrities can go for privacy to escape the paparazzi and meet fellow artists. Superstars like Madonna do their partying there and the Hollywood actor Will Smith brings his family for birthday celebrations.
What we need is solidarity and collective action to end this culture of disposability and workplace racism. The recent EU referendum ushered a lot of anxiety into my workplace. It was apparent that it had been occupying many workers' minds. Many would ask questions like, Will they still have a job? Would they be able to stay in the country to live? I found myself for the first time in my life feeling very aware of what seems to be enormous privilege as a second- generation migrant with British citizenship. I wanted to reassure them that there are many who would fight for their right to remain. However so far, the message has been made loud and clear. ‘The British people have voted because they no longer want us here.’ But let’s not view this out of context. Tabloid papers have gone to enormous lengths to scapegoat and vilify those they consider today to be the outsiders for several years.
Measures like the recent immigration bill introduced by our current prime minister, Theresa May make it difficult for migrants to find homes and access healthcare. Arbitrary immigration raids in restaurants, community areas and other institutions are increasing. Street harassment is rife without any real intervention – particularly against muslim women wearing headscarves. A Romanian friend told me about an incident in her local Tesco where she was accused by a fellow shopper of hoarding baby milk to take to her country.
Without a Union presence inside these workplaces, the use of collective action, and without any real solidarity from other workers the service sector is like a bubble hidden from the rest of society where human and basic work rights are violated everyday leaving migrant workers to feel alone, degraded and powerless.
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ReplyDeleteRubens came in Rome also under the spell of the recent, highly naturalistic paintings by Caravaggio. He later made a copy of Caravaggio's Entombment of Christ and recommended his patron, the Duke of Mantua, to buy The Death of the Virgin (Louvre).[20] He remained a strong supporter of Caravaggio's art as shown by his important role in the acquisition of The Madonna of the Rosary (Kunsthistorisches Museum, Vienna) for St. Paul's Church, Antwerp after he had returned home.[21] During this first stay in Rome, Rubens completed his first altarpiece commission, St. Helena with the True Cross for the Roman church of Santa Croce in Gerusalemme.
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DeleteRubens's experiences in Italy continued to influence his work even after his return to Flanders. His stay in Italy had also allowed him to build a network of friendships with important figures of his time such as the scientist Galileo Galilei whom he included as the central figure in his friendship portrait he painted in Mantua known as the Self-Portrait in a Circle of Friends from Mantua. Rubens continued to correspond with many of his friends and contacts in Italian, signed his name as "Pietro Paolo Rubens", and spoke longingly of returning to the peninsula—a wish that never materialised.[27] Rubens was a polyglot who corresponded not only in Italian and Dutch, but also in French, Spanish and Latin. His mother tongue and most commonly used idiom remained, however, the dialect of Brabant. This is demonstrated in that he wrote his most spontaneous letters in that dialect and also used it for the notes on his drawings and designs.[15]
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DeleteAfter the end of the Twelve Years' Truce in 1621, the Spanish Habsburg rulers entrusted Rubens with diplomatic missions.[35] While in Paris in 1622 to discuss the Marie de' Medici cycle, Rubens engaged in clandestine information gathering activities, which at the time was an important task of diplomats. He relied on his friendship with Nicolas-Claude Fabri de Peiresc to get information on political developments in France.[36] Between 1627 and 1630, Rubens was very active as a diplomat. He travelled between the courts of Spain and England in an attempt to bring about peace between the Catholic Spanish Netherlands and the Protestant Dutch Republic. He also made several trips to the Dutch Republic as both an artist and a diplomat.
ReplyDeleteHis biblical and mythological nudes are especially well-known. Painted in the Baroque tradition of depicting women as soft-bodied, passive, and to the modern eye highly sexualised beings, his nudes emphasise the concepts of fertility, desire, physical beauty, temptation, and virtue. Skilfully rendered, these paintings of nude women are thought by feminists to have been created to sexually appeal to his largely male audience of patrons,[45] although the female nude as an example of beauty has been a traditional motif in European art for centuries. Rubens was quite fond of painting full-figured women, giving rise to terms like 'Rubensian' or 'Rubenesque' (sometimes 'Rubensesque'). His large-scale cycle representing Marie de' Medici focuses on several classic female archetypes like the virgin, consort, wife, widow, and diplomatic regent.[46] The inclusion of this iconography in his female portraits, along with his art depicting noblewomen of the day, serve to elevate his female portrait sitters to the status and importance of his male portrait sitters.[46]
ReplyDeletePortrait of George Villiers, c. 1625. This painting that had been deemed lost for nearly 400 years was rediscovered in 2017 in Pollok House, Glasgow, Scotland. Conservation treatment carried out by Simon Rollo Gillespie helped to demonstrate that the work was not a later copy by a lesser artist but was the original by the hand of the master himself.[60][61][62]
ReplyDeleteMartin, John Rupert (1977). Baroque. HarperCollins. ISBN 0-06-430077-3.
ReplyDeleteThe company's name is derived from a combination of the firm's predecessors. Harper & Brothers, founded in 1817 in New York, merged with Row, Peterson & Company in 1962 to form Harper & Row, which was acquired by News Corp in 1987. The Scottish publishing company William Collins, Sons, founded in 1819 in Glasgow, was acquired by News Corp in 1987 and merged with Harper & Row to form HarperCollins. The logo for the firm combines the fire from Harper's torch and the water from Collins' fountain.
ReplyDeleteHarperCollins operates publishing groups in the United States, Canada, the United Kingdom, Australia, New Zealand, Brazil, India, and China, and publishes under various imprints.
The Collins Crime Club imprint published many works in the Golden Age of Detective Fiction, including novels by Agatha Christie and Rex Stout. The religious imprint Fount would be home to C. S. Lewis. Collins would become the British Commonwealth publisher for a number of popular American juvenile series and authors, including The Hardy Boys, Nancy Drew, and Dr. Seuss.
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DeleteIn December 2014, The Tablet reported that an atlas published for Middle East schools did not label Israel on a map of the Middle East.[89] A representative for Collins Bartholomew, a subsidiary of HarperCollins that specializes in maps, explained that including Israel would have been "unacceptable" to their customers in the Arab states of the Persian Gulf and the omission was in line with "local preferences".[90] The company later apologized and destroyed all the books.[91]
ReplyDeleteHarperCollins Publishers India Pvt Ltd. is a wholly owned subsidiary of HarperCollins Worldwide. It came into being in 1992.
ReplyDeleteIn 1990, HarperCollins sold J. B. Lippincott & Co., its medical publishing division, to the Dutch publisher Wolters Kluwer.[4]
DeleteAuthors published originally by Collins include H. G. Wells and Agatha Christie. HarperCollins also acquired the publishing rights to J. R. R. Tolkien's work in 1990 when Unwin Hyman was bought. Following is a list of some of the more noted books and series published by HarperCollins and their various imprints and merged publishing houses.
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The Hobbit, J. R. R. Tolkien (1937) (originally published by George Allen & Unwin)
The Lord of the Rings, J. R. R. Tolkien (1954–1955) (originally published by George Allen & Unwin)
In 2020, HarperCollins acquired the children's publishers Egmont Books UK, Egmont Poland and Schneiderbuch Germany from the Egmont Group.[16]
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DeleteA significant portion of the document is dedicated to discussing political leftism as a manifestation of related psychological types, with Kaczynski attributing the prevalence and intensity of leftism in society as both a negative symptom of psychological pressures induced by technological conditions as well as an obstacle to the formation of an effective anti-tech revolution.[88][89] He defined leftists as "mainly socialists, collectivists, 'politically correct' types, feminists, gay and disability activists, animal rights activists and the like".[90] He believed that over-socialization and feelings of inferiority are primary drivers of leftism,[82] and derided it as "one of the most widespread manifestations of the craziness of our world".[90] Kaczynski added that the type of movement he envisioned must be anti-leftist and refrain from collaboration with leftists as, in his view, "leftism is in the long run inconsistent with wild nature, with human freedom and with the elimination of modern technology".[80]
DeleteAlthough Kaczynski and his manifesto has been embraced by ecofascists,[91] he rejected fascism,[92] including those whom he referred to as "the 'ecofascists'", describing ecofascism as "an aberrant branch of leftism".[93][94] In "Ecofascism: An Aberrant Branch of Leftism", he wrote: "The true anti-tech movement rejects every form of racism or ethnocentrism. This has nothing to do with 'tolerance,' 'diversity,' 'pluralism,' 'multiculturalism,' 'equality,' or 'social justice.' The rejection of racism and ethnocentrism is – purely and simply – a cardinal point of strategy."[93] Kaczynski wrote that he considered fascism a "kook ideology" and Nazism as "evil".[92] Kaczynski never tried to align himself with the far-right at any point before or after his arrest.[92] He also criticized conservatives, describing them as "fools who whine about the decay of traditional values, yet... enthusiastically support technological progress and economic growth"—things he argues have led to this decay.[90]
Seen "The Social Dilemma" on Netflix yet?
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The Ahnenerbe formed the basis for the depiction in the Indiana Jones franchise of Nazis searching for religious artifacts.[67][68]
DeleteHitler became Chancellor of Germany in 1933, and transformed the country into a one-party state governed as a dictatorship. He claimed that Germans were descended from an Aryan race which, in contrast to established academic understandings, had invented most major developments in human history, such as agriculture, art, and writing.
DeleteIn 1933, Himmler initiated plans to establish a "Nordic Academy" to assist the instruction of the SS upper ranks.[16] He was assisted in this by Karl Maria Wiligut, an occultist who was popular in German ultra-nationalist circles.[16] Himmler brought Wiligut into the SS—where he eventually rose to the rank of Brigadeführer—and gave him a private villa in Berlin.[17] Using Wiligut's prophecies as his guide, Himmler selected Wewelsburg castle in Westphalia to serve as a base for many SS operations.[18] The architect Hermann Bartels was employed to oversee renovations to the castle to make it fit for the SS's use.[19] As part of these alterations, one of the rooms in the building became known as "the Grail Room" with a rock crystal representing the Holy Grail being placed in a central position.[19] Himmler also established a private museum at the castle, employing the young archaeologist Wilhelm Jordan to manage it.[19]
DeleteHimmler regarded the Ahnenerbe as an elite think tank which would sweep away previous scholarship on the development of humanity and reveal that Hitler's ideas on the subject were true. Himmler also believed that the group's investigations might reveal ancient secrets about agriculture, medicine, and warfare which would benefit Nazi Germany. It employed scholars from a wide range of academic fields, including archaeology, anthropology, ethnology, folkloristics, runology, Classics, history, musicology, philology, biology, zoology, botany, astronomy, and medicine. Himmler believed that scholars active in all of these different fields would piece together a view of the past that would revolutionise established interpretations; in his words, it would represent "hundreds of thousands of little mosaic stones, which portray the true picture of the origins of the world."
DeleteAmid the German invasion of Poland in 1939, the Ahnenerbe sent a team into Warsaw to remove any items from its museums which they believed to be German in origin.[34] In 1939, the Ahnenerbe's further four planned expeditions—to Iran, the Canary Islands, the Andes, and Iceland—were indefinitely postponed.[39] At the end of the war in Europe, members of the Ahnenerbe destroyed much of the organisation's paperwork lest it incriminate them during future war crime tribunals.[40]
DeleteIn 1938, the Ahnenerbe's president, Walther Wüst, proposed a trip to Iran to study the Behistun Inscription, which had been created by order of the Achaemenid Shah Darius I, who had declared himself to have been of Aryan origin in his inscriptions.[32] The inscriptions were recorded atop steep cliffs using scaffolding that was removed after the inscriptions were made. Unable to afford the cost of erecting new scaffolds, Wüst proposed that he, his wife, an amanuensis, an Iranian student (Davud Monshizadeh), a photographer and an experienced mountaineer be sent with a balloon-mounted camera. The onset of the war, however, saw the trip postponed indefinitely.
DeleteEarly travelers to the Canary Islands had described the Guanche natives as having golden-blond hair and white skin, and mummies had been found with blond tresses—facts which Wirth believed indicated that the islands had once been inhabited by Nordics. His colleague Otto Huth proposed an autumn of 1939 expedition to study the ancient islanders’ racial origins, artifacts and religious rites. At the time, the Canary Islands were part of Francisco Franco’s fascist Spanish State (Estado Español). Because Franco refused to side with the Axis when the war started, however, the trip was cancelled.
DeleteRascher was also tasked with discovering how long German airmen would be able to survive if shot down above freezing water. His victims were forced to remain out of doors naked in freezing weather for up to 14 hours, or kept in a tank of icewater for 3 hours, their pulse and internal temperature measured through a series of electrodes. Warming of the victim was then attempted by different methods, most usually and successfully by immersion in very hot water, and also less conventional methods such as placing the subject in bed with women who would try to sexually stimulate him, a method suggested by Himmler.[62][63]
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DeleteRascher experimented with the effects of Polygal, a substance made from beets and apple pectin, on coagulating blood flow to help with gunshot wounds. Subjects were given a Polygal tablet, and shot through the neck or chest, or their limbs amputated without anaesthesia. Rascher published an article on his experience of using Polygal, without detailing the nature of the human trials, and also set up a company to manufacture the substance, staffed by prisoners.[64]
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