I'm starting to keep
notes. On who I talk to, on their behaviour. Do they stand up to
management? Are they popular? How long have they been here?
There's one woman I've warmed to instantly. She's Bulgarian and her name is Galina.* A tiny mother of two, 36 but looking older; she's got large green eyes, olive skin, and could be Roma. She wears little dangly gold earrings, dark eye makeup and crimson lipstick. She smiles all the time. Genuinely. Some of her teeth are missing and she's vague about her past, but she throws herself into the work, with a swagger almost.
There's one woman I've warmed to instantly. She's Bulgarian and her name is Galina.* A tiny mother of two, 36 but looking older; she's got large green eyes, olive skin, and could be Roma. She wears little dangly gold earrings, dark eye makeup and crimson lipstick. She smiles all the time. Genuinely. Some of her teeth are missing and she's vague about her past, but she throws herself into the work, with a swagger almost.
I like her because she
stops to talk when we pass in the corridor, or if we bump into
eachother on a dash to the pantry for more linen. We swap fatigue
sighs and shaking heads over the empty cupboards, the inevitable
Sunday deluge of D N Ds (Do Not Disturbs) where you push your
trolley from closed door to closed door to closed door....
No linen, a common sight...
Galina has some kind of
rift with Elena, the pretty spiteful supervisor from Lithuania. A
couple of mornings now I've seen Galina shout, in Bulgarian and
broken English, at the icey boss squabbling over baskets of tea gear,
bathroom tat and spare dusters over the counter.
“Hey, HEY”, she's
bellowed to Elena and they've tustled over the tray. “I don't speak
English, why you speak me in English?” Shouts Galina. Elena will
hold back the tray and look at her wearily and disdainfully. Galina
will become animated, eyebrows all over the show, and reach over to
snatch the tray.
“STOP it”, Elena
will say like an icepick, holding it firm.
“Hah? Hah? Yyeeeeah,
Yyeeah”, Galina will say sneeringly, tauntingly, returning the
waves of disgust that could almost be lapping around them right now.
Elena will eventually
give over the tray, but not before raising her hand and pointing hard
on Galina. “The last time, this is the last time”, she will say
in an attempt to rescue her authority but, the girls have all seen
it, and half of us have loved it; Galina's resistance, to the
pettyness, to the humourlessness, of all of this.
I back up Galina by
standing beside her and fixing Elena with a look of, “That's
abusive”, but she barely notices. The term 'face like a slapped
arse' fits her well.
I wish I could speak
Bulgarian.
Over lunch we try and
understand each other, mostly empathising over how much we dislike
Elena, saying her name, wrinkling our faces and giving each other the
thumbs down.
“We need a Union”
She furrows her brow.
I put my hands
together, and clasp my fingers over my knuckles.
“Union?”
It's hard to explain
it.
“Us”, I say, pointing to
me and her and around the sullen canteen. “Us, together”. I make a fist.
She smiles and shrugs
and laughs warmly.
She'd be one to get it
I'm sure. We eat, separately smiling together.
Back in the rooms it's
just non-stop yo-yo-ing in and out. I almost always forget something
and keep clicking in and out, in and out. My knuckles are getting
sore from reaching into my pockets for the card key, reaching deep
into duvets and pillows, the stiff cotton rubbing on my hands, worn by the chemicals and the towel folding and just the constant motion.
A cut I thought had healed on my finger springs a
leak and I'm terrified of getting blood on the perfect white sheets.
I try and continue with toilet paper wrapped around the wound
but it's too risky. I look for a plaster in the pantry, call on the supervisor, and when noone shows up after 10 minutes I eventually
trapse all the way down to the office, 4 floors, and all the while
thinking how this is eating into my allotted cleaning time.
I go through a few
plasters this day, a combination of sweating in the gloves when I
wash up cups and glasses, as well as the dripping sponges and shower
water, and just the constant flurry and contact of my hands.
In the changing room at
home time, I'm one of the last. I've tried to strike up conversations
here but it's not easy. People are partially clothed. Chatting
in your undies and over your steaming sweaty shoes and clammy socks
isn't something I feel that comfortable with. But the four Romanian
room attendants that swing in noisily, pay no mind to my mousey
modesty and shed their grey polyester uniforms to reveal really foxy,
lacy, super-sexy underwear. Like, lingerie catalogue sexy. I
can't help but look. I know I'm blushing. I kind of treat this job as
a workout and wear sports underwear. These women, they're made up
and sassy and laughing amongst themselves. They're barely aware of me
shyly looking over. To me they're a manifestation of resistance to
the drudge; joy and resistance to all the dirt and monotony. Under
the grey there's a riot and they know it.
I want to talk to them
but I know zero Romanian.
I get a text.
“Talk to Jola, the
supervisor, she'll be in in a moment”.
It's from Grzegorz, the
chef....
*All names are changed
for protection

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ReplyDeleteYeah standing up to management isn't always a good idea. I had to learn that one the hard way!
ReplyDeleteBasically, as a general rule, avoiding conflict is best done by sucking up to the people in power imo
ReplyDeletePeople who score high on this trait, conceptualized in 1970 by psychologists Richard Christie and Florence Geis, are callous, unprincipled, and are excessively motivated by self-interest.[37] They view interpersonal manipulation as the key for life success, and behave accordingly.[38] Individuals who are measured to have a high level of Machiavellianism tend to have low agreeableness and conscientiousness.[2][30]
ReplyDeleteIt's these people you have to particularly watch out for!
ReplyDeleteSo you're queen crimson then?
ReplyDeleteFripp would later describe it as having been "an instant smash" and "New York's acid album of 1970" (notwithstanding Fripp and Giles' assertion that the band never used psychedelic drugs).[18] The Who guitarist and composer Pete Townshend called the album "an uncanny masterpiece."[27] The album contains Sinfield's gothic lyrics and its sound was described as having "dark and doom-laden visions".[28][29] Its opening track "21st Century Schizoid Man" was described as "proto-metal" and the song's lyrics criticise the military involvement of the United States in Southeast Asia.[3][30] In contrast to the blues-based hard rock of the contemporary British and American scenes, King Crimson presented a more Europeanised approach that blended antiquity and modernity.[31][32] The band's music drew on a wide range of influences provided by all five group members. These elements included classical music, the psychedelic rock spearheaded by Jimi Hendrix, folk, jazz, military music (partially inspired by McDonald's stint as an army musician) and free improvisation.[3][30][32][27]
ReplyDeleteUpon its release in May 1970, In the Wake of Poseidon reached No. 4 in the UK and No. 31 in the US. It received some criticism from those who thought it sounded too similar to their first album.[43] With no set band to perform the new material, Fripp and Sinfield brought Mel Collins and Gordon Haskell on board (with Haskell doubling as lead vocalist and bassist and Collins quadrupling as saxophonist, flautist, occasional keyboard player, and backing vocalist), and Andy McCulloch joined as drummer.[44][42]
ReplyDeleteFripp and Sinfield wrote the third album, Lizard, themselves – with Haskell, Collins and McCulloch having no say in the direction of the material. In addition to the core band, several session musicians contributed to the Lizard recording, including the returning Keith Tippett, who was offered to be a member of the new lineup, but due to other commitments preferred to continue working with the band as an occasional guest musician,[45] and two members of Tippett's band, Mark Charig on cornet, and Nick Evans on trombone. Robin Miller (on oboe and cor anglais) also appeared, while Jon Anderson of Yes was brought in to sing a section of the album's title track, "Prince Rupert Awakes", which Fripp and Sinfield considered to be outside Haskell's natural range and style. Lizard featured stronger jazz and chamber-classical influences than previous albums.[14][42] The album contains Sinfield's "phantasmagorical" lyrics, including "Happy Family" (an allegory of the break-up of the Beatles),[46] and the title track, a suite which took up the entire second side, describing a medieval/mythological battle and its outcome.[47]
https://darkshadows.fandom.com/wiki/Collins_family_tree
Deletehttps://www.imdb.com/title/tt13443470/
DeleteI think I'll settle for this instead!
Carmilla is back for season 2!!!
Deletehttps://youtu.be/579UT2wTHP8?si=CBYLpI2GowBL9_6g
Deletehttps://youtu.be/IeiPZyrK85c?si=Qr9GHvLurA7kJO74
Deletehttps://www.youtube.com/watch?v=TjkX4YNDLHA
DeleteThis comment has been removed by the author.
Deletehttps://www.youtube.com/watch?v=hn1pasUW5Xo
Deletehttps://youtu.be/NXH8MMzjsQo?si=sZZs6PGbSCSpiV9x
DeleteThis you know! But what I didn't show you was
Deletehttps://www.youtube.com/watch?v=4njbc-xK9sY
ReplyDelete"It was going to be an interesting ride when ... I wasn't given a setlist when I joined the band, more a reading list. Ouspensky, J. G. Bennett, Gurdjieff and Castaneda were all hot. Wicca, personality changes, low-level magic, pyromancy – all this from the magus in the court of the Crimson King. This was going to be more than three chords and a pint of Guinness."
—Bill Bruford.[62]
Greene's second book, The Art of Seduction, was published in 2001.[30] The book profiles the nine types of seducers (e.g. The Rake, The Siren, and The Charmer) and details aspects of attraction, authenticity, storytelling, and negotiation.[31][32] Greene uses examples from historical figures such as Cleopatra, Giacomo Casanova, Duke Ellington and John F. Kennedy to support the psychology behind seduction.[33][34] It has sold more than 500,000 copies.[35]
DeleteNow this is some low-level magic right here!
DeleteDon't know if this is a UCLA thing or ...
Deletehttps://youtube.com/watch?v=tpFZjzDMOwc&feature=shared
Deletehttps://www.youtube.com/watch?v=ATkK9rTKR6k&list=PLGEINkUubBzkzLBLZmVRYi05zXFQjC-p9&index=28
Deletehttps://www.youtube.com/watch?v=sy_odw4dGWQ&list=PLGEINkUubBzkzLBLZmVRYi05zXFQjC-p9&index=29
Terrible accent, unsurprisingly!
Deletehttps://youtu.be/mHL2zLMjwmI?si=OKYsvxpwiMIMCAxu
DeleteWhat about in the Court of the Crimson Queen, does she not have a say??
ReplyDeleteThe distinctive introduction to "One More Red Nightmare" was deployed by Wetton and Fripp in various improvisations throughout 1974, which can be heard in the Starless and The Road to Red box sets. "Providence" was edited down from a recording of an improvisation on 30 June 1974 in Providence, Rhode Island. It was released in its uncut form as "Improv: Providence" on several subsequent releases, such as the 1992 The Great Deceiver live box set and the 40th anniversary edition of Red.
ReplyDeleteThis supposed incident gave the piece its title, a reference to Sod's law ("Whatever can go wrong will go wrong, at the worst possible moment").[7] : 0:20–1:11 As Robert Fripp noted in the CD jacket, "Most live recording follows the policy of two machines in use simultaneously to meet an eventuality such as this. We learn."
DeleteMaster of Deception!!!
ReplyDeletehttps://youtube.com/watch?v=neHN5qGAoH8&feature=shared
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DeleteOr should I say Vampire Master Dark Crimson!
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Helen
ReplyDeleteHelen was orphaned by the Clients and was raised by a church minister. She first met Shion and Rain by accident when the pair were looking for hospitality. She fell in love with Shion but was too shy to act on her feelings. Later, the Clients gained control of her and used her to try to kill Shion. Helen wounded Shion, but regained her senses and offered Shion her blood. She is now Shion's companion with Rain.
Like Rain, Helen can turn into armor for Shion, but does not yet have as many abilities as Rain does. Helen also has the power to detect Clients and their minions, and has an exceptionally beautiful singing voice.
After having left the country and renounced his claim to the throne in 1925, Carol II returned in 1930 and usurped his son’s throne; influenced by his inner circle—referred to by historians as the "Royal Camarilla"—he gradually undermined the democratic system, and in 1938 he assumed dictatorial powers. Although he was pro-Western (especially Anglophile), Carol attempted to appease extreme centrifugal forces by appointing nationalist governments that adopted anti-Semitic measures, such as the Goga cabinet and the one led by the Orthodox Patriarch Miron Cristea.
DeleteFollowing the Molotov–Ribbentrop Pact of 1939, in June 1940 Romania accepted the loss of Bessarabia, Northern Bukovina and the Hertsa region in favour of the USSR (as stipulated in the Soviet ultimatum of 28 June 1940). Unaware of the details of the Soviet–German pact, Carol attempted to secure an alliance with Nazi Germany, and appointed Ion Gigurtu as President of the Council of Ministers, who declared that he would pursue a Nazi pro-Axis (Berlin–Rome) policy that was anti-Semitic and fascist-totalitarian in nature.[86][87][88] Between 4 July and 4 September 1940, by accepting Hitler's arbitration over Transylvania (after Gigurtu declared on radio that Romania must make territorial sacrifices to justify its Nazi orientation and full adherence to the Berlin–Rome Axis), Romania ceded Northern Transylvania—including the city of Cluj—to Hungary.[89][90][91] The vast territories in Transylvania ceded by Ion Gigurtu to Hungary contained important natural resources, including gold mines.[92] Ion Gigurtu also initiated negotiations to cede 8,000 km2 of Southern Dobruja to Bulgaria,[93] these negotiations were interrupted by Antonescu's unconditional acceptance of the territorial cession.[94]
DeleteIn 1941, as an ally of Nazi Germany, Romania entered World War II by declaring war on the Soviet Union.[95][96] A shift in fortunes only became discernible after the defeat at Stalingrad and the subsequent change of the USSR from a defensive to an offensive posture. On 23 August 1944, with the Soviet army having been present in northern Moldova since March, King Mihai I forcibly removed Marshal Ion Antonescu from power, as he refused to sign an armistice with the Allies of World War II.[97] Following Antonescu's outright refusal, King Mihai I ordered the dismissal and arrest of the marshal, and Romania switched sides to join the Allies.[97]
DeleteThe Air Force operates F-16AM/BM MLU fighters,[169] C-27J Spartan and C-130 Hercules transport aircraft, as well as IAR 330 and IAR 316 helicopters.[170] A procurement programme for F-35 fifth-generation fighters is also currently being carried out.[171] The Naval Forces operate three frigates, of which two are Type 22 frigates acquired from the British Royal Navy,[172] as well as four corvettes. The River Flotilla operates Mihail Kogălniceanu and Smârdan-class river monitors.[166]
DeleteRomania's main exports are vehicles, software, clothing and textiles, industrial machinery, electrical and electronic equipment, metallurgic products, raw materials, military equipment, pharmaceuticals, fine chemicals, and agricultural products (fruits, vegetables, and flowers). Trade is mostly centred on the member states of the EU, with Germany, Italy and France being the country's single largest trading partners.
DeleteTennis is the second most popular sport.[349] Romania reached the Davis Cup finals three times in 1969, 1971 and 1972.[350] The second most popular team sport is handball.[349] The men's team won the handball world championship in 1961, 1964, 1970, 1974 making them the third most successful nation ever in the tournament. The women's team won the world championship in 1962 and have enjoyed more success than their male counterparts in recent years. In the club competition Romanian teams have won the EHF Champions League a total of three times, Steaua București won in 1968 as well as 1977 and Dinamo București won in 1965.[351] In women's handball, powerhouse CSM București lifted the EHF Champions League trophy in 2016.[352]
DeletePopular individual sports include combat sports,[349] martial arts,[349] and swimming.[349] In professional boxing, Romania has produced many world champions across the weight divisions internationally recognised by governing bodies.[353] Another popular combat sport is professional kickboxing, which has produced prominent practitioners including.[354][355]
Romania's 306 all-time Summer Olympics medals would rank 12th most among all countries, while its 89 gold medals would be 14th most. The 1984 Summer Olympics was their most successful run, where they won 53 medals in total, 20 of them gold, ultimately placing 2nd to the hosts United States in the medal rankings. Amongst countries who have never hosted the event themselves, they are second in the total number of medals earned.[356] Gymnastics is the country's major medal-producing sport.[357]
Go Helen!
ReplyDeleteLiving Legend!
DeleteAfter the victory at Chaeronea, Philip and Alexander marched unopposed into the Peloponnese, devastating much of Laconia and ejecting the Spartans from various parts of it.[38] At Corinth, Philip established a "Hellenic Alliance" (modelled on the old anti-Persian alliance of the Greco-Persian Wars), which included most Greek city-states except Sparta. Philip was then named Hegemon (often translated as "Supreme Commander") of this league (known by modern scholars as the League of Corinth), and announced his plans to attack the Persian Empire.[39][40]
DeleteStill a legend!
DeleteName of Alexander in Egyptian hieroglyphs (written from right to left), c. 332 BC, Egypt. Louvre Museum.
Deletehttps://en.wikipedia.org/wiki/Q_(magazine)
ReplyDeletehttps://www.empireonline.com/
ReplyDeletehttps://youtu.be/hbJzUcdOMDM?si=NlOgEBQh26j3zpJq
ReplyDeleteVictoria's Secret stores took over the lingerie market during the 1980s by using a fabricated sense of Britain, featuring this romantic styling and soft classical music.[46][96] In the early years, Wexner himself was involved in carefully orchestrating store interior design through the use of English floral wallpaper circa 1890, gilded fixtures, classical music, soft lighting, the scent of old-fashioned sachet, and elegant perfume bottles that "look like your grandmother's crystal".[97]
ReplyDeleteIn 2000, the Los Angeles Times reported that the company continued the practice of putting on "a British air—or what the Ohio-based chain thinks Americans believe is British. Boudoirish. Tony. Upscale."[102]
ReplyDeleteIn 1999, a 30-second Super Bowl advertisement resulted in one million visits to the company's website within an hour of airing.[168]
ReplyDeleteIn an interview with Australia's Herald Sun, producer Jimmy Jam revealed Jackson considered writing a song about the incident for her Damita Jo album.[34]
ReplyDelete"[The furor] is hypocritical, with everything you see on TV. There are more important things to focus on than a woman's body part, which is a beautiful thing. There's war, famine, homelessness, AIDS. [...] They needed something to focus on instead of the war, and I was the perfect vehicle for that. [...] People are going to think what they want. It was an accident. It was not a stunt."
– Jackson questioning media's focus on the event.[19]
Michael Musto of The Village Voice commented on the media's reaction to the incident, saying, "Janet became a symbolic Joan of Arc to burn at the stake. I actually do think her breast was used as a diversionary tactic — I'm not sure to distract from Iraq specifically — but it did distract from important issues, from things we actually should be appalled by. The story got an undue amount of attention when the fact is nobody has proved how her breast harmed anyone."[35]
https://nymag.com/intelligencer/2022/06/how-leslie-wexner-helped-create-jeffrey-epstein.html
ReplyDeleteThe director’s previous subjects include Studio 54’s Steve Rubell, the gay Hollywood hustler Scotty Bowers, and Roy Cohn. How does Epstein fit into his oeuvre? “A lot of my films are studies in power and the way certain figures move in their rarefied worlds,” says Tyrnauer. “I think the darkest tale I’ve told is about Roy Cohn, who was the quintessential public scoundrel in New York for most of the second half of the 20th century and was given a big pass by the powers that be for his behavior. They always used to say that when Claus von Bülow was accused of murder, he became a much more in-demand dinner-party guest in New York. I think Esptein fell into that category.” Certainly that was the case for many a power-schnorring member of the New York media elite. As Michael Wolff would write about his longtime dining companion after his mysterious death, “The public grilling that would shortly ensue about how any decent person could come to Epstein’s house had a simple answer: for the pleasure of it. The welcome. The ease. For a few hours outside the ordinary.”
https://archive.ph/20241017005858/https://www.nytimes.com/2019/07/25/business/jeffrey-epstein-wexner-victorias-secret.html
ReplyDelete