Wednesday, 15 April 2015

Hospitality Direct Action?

Dorota looks back at me and then at the table.

'Try it' she says non-committally as if I can do it on my own. And gets up.

Every conversation I have here is time-limited. Breaks, starts, stops.

Filing downstairs to our duster, tea tray and rape alarm pick-up, I wait to be called.

I'm on a collective job again. The new wing. No one's stayed in it yet but we need to clean it spotless because electricians and engineers have been in and dust's accumulated.

The suites are massive and full of light with giant windows. We need to try all the taps and showers to makes sure they work and also report any knocking sound to maintenance. You can't have guests paying £500+ per night and showering under shuddering, intermittent bursts of water and sound.

I'm with Adhira again. Red bull fuelled stress mission. She, like all of us, wants perfection, but she's so anxious with it. All the more so because I'm the new girl, and she doesn't want me to dent her excellence. Whatever we think of the job, you need to respect the fact people pay huge money for a clean, perfect room. You'd want that if you paid for it.

She and her 3-year-old daughter have a lot at stake in this job.

Organising in the workplace isn't like any other political organising. In other contexts you might have your community behind you, a network in place. The threat is evident. Your home might be taken away by developers. Or you have a target, or external threat to eliminate. Could be environmental, could be housing or service related, but here, at work, it's you and your body, up close that you're fighting for.

So you want to be active now? On a temporary contract are you? You causing trouble? Sorry, it happens we've got no work for you tomorrow. Or the day after or....

Organising when your power is your labour and it's constantly moving, with that of others, is so hard to harness. And if you 'lose' you lose not just your job, but potentially your home, your means to survive, the community you live with if you have to move. No wonder the big stick of the sack works so well to discipline us. It's only everything at stake.

                                     No comment

We change the unslept in, perfect, but dusty King Size beds. Six of them before lunchtime. We shine the already shining chrome taps. We mark off the juddering tap sounds.

The broken hoover I use falls apart on me again and accidentally dents a brand new tortoiseshell, gleaming fridge cupboard. It's a small mark but I'm horrified. No one's seen it. I feel nauseous about this mark I've made in a room un-stayed in and how a VIP might spot it. How the supervisor might react when they check the room and see it, glaring. It wouldn't have happened if the hoover was actually functional and not in pieces all the time held together with gaffer tape. It's not my fault I tell myself as I carry on dusting.

Lunchtime.

Adhira manically looks at her watch in the lift. “We must to hurry. We also need to replace the cleaning fluid”.

“Hang on. We've got half an hour, we've got half an hour break time” I intervene.

“No! We are coming from the new wing, this takes time, the bottles, we don't have the time”.

I shake my head and look at her sassily.

Are you telling me that I'm supposed to do all this other stuff, in My lunchbreak? I'm entitled to half an hour. We Need a Break”.

Adhira looks even more stressed. I'm telling her something incredulous.

“No. Half an hour. We Have half An Hour”, she asserts, fundamentally and looks away.

She puts our bottles outside the lift on the canteen floor and we go straight in to eat, not washing our hands because that takes time and will take us to the locker-room and then back here, cost us 5 minutes.

We sit at a table. Both of us with plates piled high. Tired. She takes her phone out and starts speaking angrily into it in Punjabi. I take mine out too so's not to feel alone but there's no reception. I look around at my fellow tired eaters.

A suggestion box sits at the end of the canteen under the mounted TV.

Suggestions. What can make your workplace better?

It makes me think of an organisation I saw an ad for downstairs. 'Hospitality Action'. It's a 'Hospitality Industry Benevolent Organisation'. Their tag-line is 'Helping Our People'. It was established four years after the end of slavery by the UK in 1837. Except slavery has just changed dimensions and definitions. If you need to go through this, sell the majority of your time and energy, just to eat, just to sleep, just to feed your children, just to get a roof over your head and clothes on your back and not much else. What is that?

                                  I don't want your charity. I want a union.

'Hospitality Action' were paternalistic then, and paternalistic now. They offer help for essential items such as food, equipment and central heating. They've even got a a helpline for workers suffering from depression and debt. Debt. Why would we, on £6.50 per hour, in London, possibly be in debt?...Working 9 hours a day, travelling three, barely seeing our loved ones, why might we be depressed?

It's a classic case of charity not solidarity. Power in their hands, none in ours. Anything to avoid paying the Living Wage and Unions..

We've got fifteen minutes to eat because we need to fill our bottles and the diamond wing is so far.

I feel like crying.

I narrow my eyes.

Is it time for some hospitality Direct Action?

76 comments:

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  4. "Is it time for some hospitality Direct Action?". Why don't you ask miss Lombard?

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    1. https://youtu.be/K2B26CrBWgM?si=ZWRjj87Wn22eDY6f

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    2. What about repeating yourself?

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    3. “So long as victory can be attained, stupid haste is preferable to clever dilatoriness.”
      ― Sun Tzu, The Art of War

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    4. https://www.youtube.com/watch?v=95Ip1J_DDKM&list=PLJLrwliG1p4Z3CZNchPAwFzmNXtjDjYHP&index=30
      https://www.youtube.com/watch?v=a-hSVfRnML4&list=PLJLrwliG1p4Z3CZNchPAwFzmNXtjDjYHP&index=31
      Smile!!

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    5. https://www.youtube.com/watch?v=3ZIVSI_FbUA

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    6. https://www.youtube.com/watch?v=LPtQzu687CQ

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    7. https://www.youtube.com/watch?v=_b6Tofpuv9A

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    8. https://www.youtube.com/watch?v=_ONeeYTwhi0
      Nah, this scene is hilarious!

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    9. https://www.youtube.com/watch?v=sgQFHEFTW5s
      https://www.youtube.com/watch?v=SvNQIj1Vk-4

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    10. https://youtu.be/Jwyz7-8hEow?si=nqoPEtwWGfvNCGRp

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    11. Dude believes in Ghost Ship!

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    12. https://www.youtube.com/watch?v=nNw0-NFFsDw
      https://www.youtube.com/watch?v=vRGFd94m9Ds

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  5. Replies
    1. https://host-students.com/university/coventry-university-london-campus/#:~:text=Coventry%20University%20London%2C%20located%20in,offers%20a%20real%20business%20experience

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    2. https://www.london.ac.uk/federation

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    3. https://macdonaldgill.com/

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    4. https://macdonaldgill.com/2024/12/23/2024-autumn-winter-macdonald-gill-newsletter/

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    5. The MOI was in charge of a wide range of Government communications and information including news, propaganda, publicity, pamphlets, posters, films, and radio broadcasts. Early efforts were often unpopular – seen as ‘lecturing’ the public – but under the leadership of Brendon Bracken, appointed in 1941, a policy of providing background information for particular events was put in place.

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    6. The title scroll at the top of the Canada & Newfoundland map is edged in black, red and yellow – the colours of the German flag – a feature not repeated in the others. The roundel message emphasises how these resources had been ‘voluntarily and wholeheartedly’ pledged to help the war effort and that ‘Canada’s sons fight side by side with their British kin on battlefields throughout the world.’

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    7. Thousands of these posters were issued so copies do sometimes appear in the sale rooms; however, one in good condition would set you back at least £1000! The Canadian brewing firm of O’Keefe used the map from 1943 onwards in its patriotic publicity to promote the sale of war savings stamps and later Victory Bonds; in 1944 applicants could apply for copies of the poster. The map (minus references to the war) also appears in the O’Keefe publication Canada Unlimited, published in 1948, mentioned at the start of this newsletter.

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    8. https://macdonaldgill.com/2024/05/06/2024-spring-macdonald-gill-newsletter/

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    9. The first part of this newsletter celebrates the centenary of the British Empire Exhibition held at Wembley Park in north London in 1924-25. Nowadays all things linked to colonialism and Empire are tainted due to our awareness of the realities of domination and exploitation. The exhibition, however, was a product of its age, part of our complex history, worthy of study rather than being ignored, to be understood in the context of its time. Max Gill, of course, was a man of this time. He would have been proud to be British and a member of the Empire, and he would also have been proud to be creating items for this magnificent exhibition.

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    10. The Pageant of British Empire was a lavish spectacle which took place in the newly built Wembley Stadium over six wet weeks and over 30 performances with a cast of 15,000, along with 300 horses, 50 donkeys, 1000 doves, 72 monkeys, 7 elephants, 8 camels, and 3 bears. Its storyline celebrated imperial and military heroes, from Cabot to Nelson and depicted scenes illustrating life in all corners of the empire. The exhibition guide spoke of ‘an accent on inter-racial unity’ while the Prince of Wales, President of the Exhibition, wrote in his foreword that it was ‘a grand representation of all the nations under our flag’ and one which would ‘illustrate fully the economic resources of all our territories and peoples’.

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    11. In August 1946 – despite many areas still needing work – the map was re-hung in the Chancellor’s Hall as the Princess Elizabeth was to be presented there with an honorary degree. Max’s attention was diverted to an urgent job for the Cunard liner RMS Queen Elizabeth – a painted map panel of the North Atlantic for the 1st class Smoke Room. Just days after finishing this, Max was diagnosed with cancer. He died in January 1947. So the University of London map remains tantalisingly incomplete.

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    12. https://macdonaldgill.com/2023/11/18/2023-autumn-macdonald-gill-newsletter/

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    13. On November 11th – Armistice Day – the nation observed the two minute silence at eleven o’clock to remember the victims of war. Four of MacDonald ‘Max’ Gill’s brothers saw active service on the Western Front including identical twins Vernon and Evan (my grandfather) both of whom served in the same Canadian regiment as John McCrae, writer of the immortal lines ‘In Flanders fields the poppies blow … ‘. The twins and their youngest brother Cecil survived the conflict but Kenneth (below) was tragically killed in an air crash just days before the end of the conflict. His grave in Filliévres, France, is marked by a standard military headstone bearing the lettering and regimental badge designed by his older brother Max for the Imperial War Graves Commission.

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    14. Shortly before his death Max completed two commissions for All Saints, a Grade 1 listed 12th century church in Brightlingsea, Essex. He painted the carved reredos saints as well as about 14 glazed tiles with the names of local men lost at sea during WW2. These were added to the church’s ‘Tiles of Tragedy’, a unique frieze of over 200 tiles begun in the 19th century to commemorate every parishioner lost at sea. It even includes the name of a local fisherman who drowned in the Titanic tragedy of 1912.

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    15. Just opened at the London Transport Museum in Covent Garden is the new Global Postal Gallery. The current display of over 100 posters, some alongside their artwork, is entitled ‘How to Make a Poster’ and is designed to be ‘a visual exploration of poster commissioning and creativity in the pre-digital age’. Five artists are particularly highlighted including McKnight Kauffer, Dora Batty and Abram Games. As you can imagine I was surprised that Max does not warrant a mention anywhere but let’s hope that he will be represented in a future exhibition here. For more info go to https://www.ltmuseum.co.uk/visit/museum-guide/global-poster-gallery

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    16. In 1914, Gill's Wonderground Map, commissioned by Frank Pick, and hung at every station, helped to promote the London Underground by presenting an accurate map which also had a humorous side in cartoon style. Produced in poster form, it was also made available for sale to members of the public and proved to be very popular. Elder brother Eric, who at that time was engaged in a commission for Westminster Cathedral, was included at the bottom of the map.[4]

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    17. Take a good gander folks, ain't got no surprises!!

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  6. "We sit at a table. Both of us with plates piled high. Tired. She takes her phone out and starts speaking angrily into it in Punjabi. I take mine out too so's not to feel alone but there's no reception. I look around at my fellow tired eaters." Maybe don't say that around Freida Pinto otherwise you'll have The Indian Legion on your tail!!!

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    1. The name Punjab is of Persian origin, with its two parts (پنج, panj, 'five' and آب, āb, 'water') being cognates of the Sanskrit words पञ्‍च, pañca, 'five' and अप्, áp, 'water', of the same meaning.[2][12] The word pañjāb is thus calque of Indo-Aryan "pañca-áp" and means "The Land of Five Waters", referring to the rivers Jhelum, Chenab, Ravi, Sutlej, and Beas.[13] All are tributaries of the Indus River, the Sutlej being the largest. References to a land of five rivers may be found in the Mahabharata, in which one of the regions is named as Panchanada (Sanskrit: पञ्चनद, romanized: pañca-nada, lit. 'five rivers').[14][15] Earlier, the Punjab was known as Sapta Sindhu in the Rigveda or Hapta Hendu in Avesta, translating into "The Land of Seven Rivers", with the other two being Indus and Kabul.[16] The ancient Greeks referred to the region as Pentapotamía (Greek: Πενταποταμία), which has the same meaning as that of Punjab.[17][18][19]

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    2. I still prefer Land of the forced smiles to Land of the Five Rivers!

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  7. Although she may only help you with Lombardy related issues!

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  8. https://www.regione.lombardia.it/wps/portal/istituzionale/

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  9. Look at that. They even have their own cute little website!

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  10. https://en.wikipedia.org/wiki/Direct_action

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    1. Canadian anarchist Ann Hansen, one of the Squamish Five, wrote in her book Direct Action that "the essence of direct action [...] is people fighting for themselves, rejecting those who claim to represent their true interests, whether they be revolutionaries or government officials".[6]

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    2. Direct action was taken at arms factories in the United States and the United Kingdom that supplied arms to Israel during the Gaza war.[13][14]

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    3. https://www.youtube.com/watch?v=yTUtTy3R0Fk

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    4. Mosse has also contributed a number of essays and stories to anthologies and collections, including Modern Delight (a book inspired by J. B. Priestley's 1949 book Delight) published by Waterstone's to raise money for Dyslexia Action and the London Library; Little Black Dress (edited by Susie Maguire); Midsummer Nights (edited by Jeanette Winterson), a collection to celebrate the 75th anniversary of Glyndebourne opera house in East Sussex; The Best Little Book Club in Town and The Coffee Shop Book Club in aid of Breast Cancer Care and Why Willows Weep (edited by Tracy Chevalier) in aid of the Woodland Trust (2011), Write (Guardian Books), Virago at 40 (edited by Lennie Goodings), Fifty Shades of Feminism (edited by Lisa Appignanesi, Rachel Holmes and Susie Orbach), Writing Historical Fiction (edited by Celia Brayfield and Duncan Sprott) and Anthology of World War I Literature for Children (edited by Michael Morpurgo) in 2014, in aid of the Royal British Legion and SSAFA.

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    5. Nietzsche insists that it is a mistake to hold beasts of prey to be "evil", for their actions stem from their inherent strength, rather than any malicious intent. One can not blame them for their "thirst for enemies and resistances and triumphs" because, according to Nietzsche, there is no "subject" separate from the action:

      A quantum of force is equivalent to a quantum of drive, will, effect—more, it is nothing other than precisely this very driving, willing, effecting, and only owing to the seduction of language (and the fundamental errors of reason that are petrified in it) which conceives and misconceives all effects as conditioned by something that causes effects, by a "subject", can it appear otherwise. For just as the popular mind separates the lightning from its flash and takes the latter for an action, for the operation of a subject called lightning, so popular morality also separates strength from expressions of strength, as if there were a neutral substratum behind the strong man, which was free to express strength or not do so. But there is no such substratum; there is no "being" behind doing, effecting, becoming; "the doer" is merely a fiction added to the deed—the deed is everything.(§13)

      The "subject" (or soul) is only necessary for slave morality. It enables the impotent man to sanctify the qualities of his impotence by making them into "good" qualities, chosen for moral reasons, and the actions of his oppressor into morally "evil" choices.

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    6. https://www.bbc.co.uk/culture/article/20240131-leopold-and-loeb-the-grisly-crime-of-the-century-that-fascinated-hitchcock-and-others

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  11. A hero (feminine: heroine) is a real person or fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame.

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    1. https://youtube.com/shorts/-NImpMivuwo?si=AriCbUrFeUFry2qi

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    2. https://youtu.be/0qYYhNko_AQ?si=kjTB3jH_S8LhlKWX

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    3. https://youtu.be/qCnBe6LesHM?si=IB_XeY8LraNg3-iU

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    4. https://www.youtube.com/watch?v=9GbFkcLA7Ug
      I personally would just do this!

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    5. https://www.youtube.com/watch?v=jHeKoS4kD0M

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    6. ... the Church has kept and still keeps this [country] of ours divided, and truly no country was ever united or happy, except when it gave its obedience entirely to one Republic or Prince, as has happened to France and Spain. And the reason ... is solely the Church, for having acquired and held temporal Empire; she has not been so powerful or of such virtue that she was able to seize the tyranny of Italy and make herself its Prince.[9]

      Machiavelli speaks on corruption, and how hard it is to sustain a republic where it has recently been freed from monarchy. He says that to sustain a republic in a newly freed city, it is necessary to "Kill the sons of Brutus" (referring to Lucius Junius Brutus's execution of his own sons), that is make violent examples out of the enemies of the free regime. He also gives similar advice to "princes who have become tyrants of their fatherlands". Machiavelli then states that to keep a corrupt republic free, it is necessary to use extraordinary means, and bring the state under an "almost kingly power".

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    7. Nietzsche defined master morality as the morality of the strong-willed. He criticizes the view (which he identifies with contemporary British ideology) that good is everything that is helpful, and bad is everything that is harmful. He argues proponents of this view have forgotten its origins and that it is based merely on habit: what is useful has always been defined as good, therefore usefulness is goodness as a value. He writes that in the prehistoric state "the value or non-value of an action was derived from its consequences"[1] but that ultimately "[t]here are no moral phenomena at all, only moral interpretations of phenomena."[2] For strong-willed men, according to Nietzsche, the "good" is the noble, strong, and powerful, while the "bad" is the weak, cowardly, timid, and petty.

      For Nietzsche, the essence of master morality is nobility. Other qualities that are often valued in master morality are open-mindedness, courage, truthfulness, trustworthiness, and an accurate sense of one's self-worth. Master morality begins in the "noble man", with a spontaneous idea of the good; then the idea of bad develops as what is not good. "The noble type of man experiences itself as determining values; it does not need approval; it judges, 'what is harmful to me is harmful in itself'; it knows itself to be that which first accords honour to things; it is value-creating."[3] In master morality, people define the good based on whether it benefits them and their pursuit of self-defined personal excellence.[4]: loc 1134, loc 1545  Insofar as something is helpful to the strong-willed man, it is like what he values in himself; therefore, the strong-willed man values such things as good because they aid him in a life-long process of self-actualization through the will to power.

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    8. https://www.youtube.com/watch?v=zXtuco-NJMQ&t=13s
      https://www.youtube.com/watch?v=jIjKogrfsdo

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    9. https://youtube.com/shorts/nJqIsGyr5yo?si=vK_Yr5lokaHuziWA

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  12. "Why would we, on £6.50 per hour, in London, possibly be in debt?...Working 9 hours a day, travelling three, barely seeing our loved ones, why might we be depressed?

    It's a classic case of charity not solidarity. Power in their hands, none in ours. Anything to avoid paying the Living Wage and Unions.."

    Yeah, probably because most of that money is going to some Dr or Architect!!!

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    1. While Pei and Musho were coordinating the Dallas project, their associate Henry Cobb had taken the helm for a commission in Boston. John Hancock Insurance chairman Robert Slater hired I. M. Pei & Partners to design a building that could overshadow the Prudential Tower, erected by their rival.[90]

      After the firm's first plan was discarded due to a need for more office space, Cobb developed a new plan around a towering parallelogram, slanted away from the Trinity Church and accented by a wedge cut into each narrow side. To minimize the visual impact, the building was covered in large reflective glass panels; Cobb said this would make the building a "background and foil" to the older structures around it.[91] When the Hancock Tower was finished in 1976, it was the tallest building in New England.[92]

      Serious issues of execution became evident in the tower almost immediately. Many glass panels fractured in a windstorm during construction in 1973. Some detached and fell to the ground, causing no injuries but sparking concern among Boston residents. The entire tower was reglazed with smaller panels, significantly increasing costs. Hancock sued the glass manufacturers, Libbey-Owens-Ford, as well as I. M. Pei & Partners, for submitting plans that were "not good and workmanlike".[93] LOF countersued Hancock for defamation, accusing Pei's firm of poor use of their materials; I. M. Pei & Partners sued LOF in return. All three companies settled out of court in 1981.[94]

      The convention center was plagued from the start by budget problems and construction blunders. City regulations forbid a general contractor having final authority over the project, so architects and program manager Richard Kahan had to coordinate the wide array of builders, plumbers, electricians, and other workers. The forged steel globes to be used in the space frame came to the site with hairline cracks and other defects: 12,000 were rejected. These and other problems led to media comparisons with the disastrous Hancock Tower. One New York City official blamed Kahan for the difficulties, indicating that the building's architectural flourishes were responsible for delays and financial crises.[116] The Javits Center opened on April 3, 1986, to a generally positive reception.[117]

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    2. In 1935, Pei boarded a boat and sailed to San Francisco, then traveled by train to Philadelphia. What he found once he arrived differed vastly from his expectations. Professors at the University of Pennsylvania based their teaching in the Beaux-Arts style, rooted in the classical traditions of ancient Greece and Rome. Pei was more intrigued by modern architecture, and also felt intimidated by the high level of drafting proficiency shown by other students. He decided to abandon architecture and transferred to the engineering program at Massachusetts Institute of Technology (MIT). Once he arrived, however, the dean of the architecture school commented on his eye for design and convinced Pei to return to his original major.[24]

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    3. Biasini and Mitterrand liked the plans, but the scope of the renovation displeased Louvre administrator André Chabaud. He resigned from his post, complaining that the project was "unfeasible" and posed "architectural risks".[122] Some sections of the French public also reacted harshly to the design, mostly because of the proposed pyramid.[123] One critic called it a "gigantic, ruinous gadget";[124] another charged Mitterrand with "despotism" for inflicting Paris with the "atrocity".[124] Pei estimated that 90 percent of Parisians opposed his design. "I received many angry glances in the streets of Paris," he said.[125] Some condemnations carried nationalistic overtones. One opponent wrote: "I am surprised that one would go looking for a Chinese architect in America to deal with the historic heart of the capital of France."[126]

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    4. During the first decade of the 2000s, Pei designed a variety of buildings, including the Suzhou Museum near his childhood home.[159] He also designed the Museum of Islamic Art in Doha, Qatar, at the request of the Al-Thani Family. Although it was originally planned for the corniche road along Doha Bay, Pei convinced the project coordinators to build a new island to provide the needed space. He then spent six months touring the region and surveying mosques in Spain, Syria, and Tunisia. He was especially impressed with the elegant simplicity of the Mosque of Ibn Tulun in Cairo.

      Once again, Pei sought to combine new design elements with the classical aesthetic most appropriate for the location of the building. The sand-colored rectangular boxes rotate evenly to create a subtle movement, with small arched windows at regular intervals into the limestone exterior. Inside, galleries are arranged around a massive atrium, lit from above. The museum's coordinators were pleased with the project; its official website describes its "true splendour unveiled in the sunlight," and speaks of "the shades of colour and the interplay of shadows paying tribute to the essence of Islamic architecture".[160]

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    5. Less than a month later, Pei suspended his work at Harvard to join the National Defense Research Committee, which coordinated scientific research into U.S. weapons technology during World War II. Pei's background in architecture was seen as a considerable asset; one member of the committee told him: "If you know how to build you should also know how to destroy."[32] The fight against Germany was ending, so he focused on the Pacific War. The U.S. realized that its bombs used against the stone buildings of Europe would be ineffective against Japanese cities, mostly constructed from wood and paper; Pei was assigned to work on incendiary bombs. Pei spent two and a half years with the NDRC, but revealed few details of his work.[33]

      In 1945, Eileen gave birth to a son, T'ing Chung, and she withdrew from the landscape architecture program in order to care for him. Pei returned to Harvard in the autumn of 1945, and received a position as assistant professor of design. The GSD was developing into a hub of resistance to the Beaux-Arts orthodoxy. At the center were members of the Bauhaus, a European architectural movement that had advanced the cause of modernist design. The Nazi regime had condemned the Bauhaus school, and its leaders left Germany. Two of them, Walter Gropius and Marcel Breuer, took positions at the Harvard GSD. Their iconoclastic focus on modern architecture appealed to Pei, and he worked closely with both men.[34]

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    6. The experience was exhausting for Pei, but also rewarding. "After the Louvre," he said later, "I thought no project would be too difficult."[131] The pyramid achieved further widespread international recognition for its central role in the plot at the denouement of The Da Vinci Code by Dan Brown and its appearance in the final scene of the subsequent screen adaptation.[132] The Louvre Pyramid became Pei's most famous structure.[133]

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    7. Pei was able to return to hands-on design when he was approached in 1961 by Walter Orr Roberts to design the new Mesa Laboratory for the National Center for Atmospheric Research outside Boulder, Colorado. The project differed from Pei's earlier urban work because it rested in an open area in the foothills of the Rocky Mountains. He drove around the region with his wife, visiting assorted buildings and surveying the natural environs. He was impressed by the United States Air Force Academy in Colorado Springs, but felt it was "detached from nature".[56]

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    8. The proposed site in Hong Kong's Central District was less than ideal; a tangle of highways lined it on three sides. The area had also been home to a headquarters for Japanese military police during World War II, and was notorious for prisoner torture. The small parcel of land made a tall tower necessary, and Pei had usually shied away from such projects; in Hong Kong especially, the skyscrapers lacked any real architectural character. Lacking inspiration and unsure of how to approach the building, Pei took a weekend vacation to the family home in Katonah, New York. There he found himself experimenting with a bundle of sticks until he happened upon a cascading sequence.[144]

      Pei felt that his design for the Bank of China Tower needed to reflect "the aspirations of the Chinese people".[145] The design that he developed for the skyscraper was not only unique in appearance, but also sound enough to pass the city's rigorous standards for wind-resistance. The building is composed of four triangular shafts rising up from a square base, supported by a visible truss structure that distributes stress to the four corners of the base. Using the reflective glass that had become something of a trademark for him, Pei organized the facade around diagonal bracing in a union of structure and form that reiterates the triangle motif established in the plan. At the top, he designed the roofs at sloping angles to match the rising aesthetic of the building. Some influential advocates of feng shui in Hong Kong and China criticized the design, and Pei and government officials responded with token adjustments.[146]

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    9. The trunk of the Bank of China Tower resembles growing bamboo, a symbol of vitality in Chinese culture.[143]

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  13. Naval architecture, also known as naval engineering, is an engineering discipline dealing with the engineering design process, shipbuilding, maintenance, and operation of marine vessels and structures.[53][54] Naval architecture involves basic and applied research, design, development, design evaluation, and calculations during all stages of the life of a marine vehicle. Preliminary design of the vessel, its detailed design, construction, trials, operation and maintenance, launching, and dry-docking are the main activities involved. Ship design calculations are also required for ships being modified (by means of conversion, rebuilding, modernization, or repair). Naval architecture also involves the formulation of safety regulations and damage control rules and the approval and certification of ship designs to meet statutory and non-statutory requirements.

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  14. "safety regulations and damage control rules"
    FUN!

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  15. "Their tag-line is 'Helping Our People'. It was established four years after the end of slavery by the UK in 1837. Except slavery has just changed dimensions and definitions. If you need to go through this, sell the majority of your time and energy, just to eat, just to sleep, just to feed your children, just to get a roof over your head and clothes on your back and not much else. What is that?"
    https://youtu.be/Gt1LWJZmvKU?si=N-w9v5Vdh-7D2IM1

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  16. https://youtu.be/un6DtnR67kQ?si=iftXn9Bn_1T66rmA

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